Nina Kopparhed

Nina made her professional UK singing debut in November 2011, performing Mozart: Exsultate Jubilate with the Dunblane Chamber Orchestra, and has since been busy as a oratorio soloist and giving recitals in both England and Scotland. 

Highlights include a recital onboard the Cruise ship Saga "Sapphire" as well as recitals for the Moffat and Dumfries music societies and the Harrow and St Paul's Summer Music Festivals.

Recent oratorio solos include: Mendelssohn: Elijah, Haydn: Creation, Handel: Messiah, Handel: Dixit Dominus, Mozart Requiem, Haydn Kleine Orgelmesse, Vaughan Williams Mass and Bach: Magnificat.

Nina made her operatic debut in August 2012 as Susanna in Le Nozze di Figaro, and her Professional operatic debut, again as Susanna, with a new company, VoiceArc, in March, 2015.

Since then, Nina has been cast in a number of operatic roles: In the 2015-16 season, Nina sang in VoiceArc's Fringe Debut, Figaro Fugit (Figaro in 70 minutes, again as Susanna), performed the role of Olympia (Tales of Hoffmann),  Fiordiligi (Cosi fan Tutte), Die Konigin der Nacht (Die Zauberflote), and Miss Wordsworth (Albert Herring).

Roles in the 2016-17 season included:

The Governess (Britten: Turn of the Screw): Vitellia (La Clemenza di Tito), Fiordiligi (Cosi fan Tutte),

Donna Elvira (Don Giovanni),  as well as a 2 month tour of Time Zone Theatre's Mozart Medley "A Night in Vienna", singing the role of "Zerlina".

Roles in the 2017-18 season included 

Lucia (Nino Rota: I Due Timidi) and Zerbinetta (Ariadne auf Naxos).

Nina also has a passion for contemporary music, and recently performed as part of the world premiere of "Invisible Effect", written by Platon Buravicky, choreographed by Kirill Burlov. It was written for the Baltic100, and features contemporary ballet, accompanied by soprano, clarinet, cello and piano (and percussion, played by all of the musicians). It was performed at the Pleasance Theatre in September 2018.

(more details of Nina's operatic work can be found on Nina's Opera page)

Nina also works as a soloist for weddings, funerals and corporate events.

Nina was a choral scholar (at Nacka Musikklasser) in her teens but then concentrated on her viola playing: she gained a BMus(Hons) and PGDip from the Birmingham Conservatoire, studying with Rivka Golani. During her studies, Nina took part in the CBSO Training Scheme and received a Young Cygnet Award.

Nina then worked for many years as a professional viola player: in the UK, Nina has freelanced with orchestras such as the RSNO and Scottish Ballet, as well as freelance orchestras such as the English Heritage Orchestra, English Festival Orchestra, Raymond Gubbay, Bampton Opera (Principal Viola) and many others. 

Nina was also a keen chamber musician, playing with ensembles such as the Solaris quartet, the Britton Quintet, Permira Ensemble and the Midgard Ensemble (US based). 

Nina's next appearance as a singer was in 2006 when she was working as principal viola with an orchestra in Brazil. During a tour of Bolivia the soprano soloist was taken ill on the day of a concert and Nina was asked to step in at the last minute, not having performed as a singer since her choral scholar days. Her performance was well received and she was asked back to perform several more times as a soprano soloist with the orchestra.

When Nina returned to the UK in 2008 she started having singing lessons with the internationally renowned soprano, Judith Howarth, all the time continuing her work as a freelance viola player.

Other previous teachers include Dr Nell Drew (Edinburgh) and Neil Howlett (London).

Singing Courses include the National Opera Studio (Opera intensive course, 2015), Hoxton Opera Studio (2016) and Melofonetica intensive course in Italy (2018).

Nina still freelances as a violinist and viola player, mostly as a chamber musician, which she has always had a passion for.